Today I’m doing something different- an art review! I was
asked for my art consulting assistance in doing a critique for an artist by the name of
Rebecca Main. She submitted to me three sequential art (comic book) pages for
review that she completed for class called Apocalypse Creed. Now usually when I do a review of this
nature I’d consider the flow of the story as it continues through each page.
Since this is an “incomplete” story that was done for a class, I’ll only judge
the merit of each individual page. Each page should then have its own
self-contained story clarity and ability to understand what is going on even
without a script.
UPON FIRST GLANCE:
Right off the top, I can see that her art style is
reminiscent of Japanese manga with a unique mix of angular, thick to thin line
work that is a bit more Americanized. In addition, I’m kind of tickled by
seeing the old school work flow that she used by doing her pencils in blue
line, inking on top and then gluing the bits of cut out dialog over it all. I’m
not sure if this is her usual method or if it was part of the assignment but I
suggest that she light-box her inks on separate paper over her pencils instead.
I explain this method a bit more in my post here>>>
https://enigmaresolve.blogspot.com/2014/09/workflow-walk-thru.html.
That way she can keep her lines separate from her inks and she has twice the
art to sell in the future!
Now, onward to the pages- I’m not sure if they are
supposed to be in a particular order so I’ll just have them from weakest to
strongest, in my opinion.
THE INDIVIDUAL PAGES:
WAR- Really nice layout here, however I find this page to
be the weakest of the bunch, so it goes first. The scenes are clear in terms of
the subject matter, which is good. In the first panel, there is great use of
dynamic lighting but the figures’ anatomy needs work so practice up on figure
drawing. In the splash panel below, the action is full of movement and is very
well done. The biggest point of confusion is the large sword that hovers right
down the middle of the panel. Fix those small issues and it will be a very
strong page!
DEATH- This is a very powerful two-page spread. The
layout is clear and the subject is front and center, leaving no guessing as to
what these pages are about. The silhouetting of the evergreen trees in the
distance is the perfect contrast to the negative space that Rebecca uses for
the smoke effects. The details on the decaying horse are very well drawn. The
only drawbacks here are that the arbitrary word balloons leave it a bit unclear
as to who is talking and I would choose a more “comic style” font for the
dialog.
CONQUEST- This page blew me away. Rebecca pulled out all
of the stops and took it to the next level. Tons of experimenting here and it
was done REALLY well. The panels are flowing into the other but still maintain
clarity. The top panel uses grey toning to establish distance in a very
effective way and it appears as though she used a masking technique and
possibly sponges to create the texture for the icy waves throughout the page. I
would love to see more of this from her in the future. Again, a better comic
style font is really the only issue.
OVERALL:
One of the largest assets to her art style is
the consistency. Her balance of whites, darks and grey toning is, for the most
part, clean and easy to read. I noticed her ability to draw stylized horse
anatomy, which she is very strong at and I hope she continues to develop
stories in that niche. I love her animation style but also want her to continue
human anatomy studies as well, particularly life drawing and gesture drawing
and not just learn from comics or anime. I also love her ability to fill the
pages with art without cluttering them and keeping a sense of total
composition.
You do great work Rebecca, you are on the right path and
I hope to see more of it in the future! Keep practicing and keep growing! Thank you for choosing
me to review your work!
Wow, does time fly!
